Using patina to create stained glass projects is an economical way to do your jobs stand out easily in the crowd.
For example, by using different patina catchers Sun, you can give all of your creations at a unique look that cannot be reproduced accurately.
Patina oxidation that occurs naturally over time across joints soldering or lead came glass joints hold your projects together.
Patina is a thin film encrustation that natural product of the oxidation which occurs over almost all the metal.
In nature, requires a long period the patina form however, can be created artificially by applying a variety of materials to the surface of different types of metals to achieve different looks.
Over time when weathered natural exposure to the elements, various metals will have different shades of color.
An example of naturally patina ancient Roman coins are often found by European farmers as they cultivate their fields.
According to the composition of the metal composed of currency, patina can be dark brown, black, silver, green, or shades of those colors.
Ancient bronze coins are often dug as a green hue.
A thin Green Ribbon of the crust is formed by oxidation of the bronze as it reacts chemically with the minerals in the soil and soil moisture.
Color often is green patina that occurs naturally in the bronze. Other metals will acquire gradually encrustations similar but different color variations.
Color variance depends on the composition of the metal, the chemical composition of soil compactness of currency was buried, the Earth, the amount of bare metal cuts wood moisture over time.
The exception is solid gold, naturally oxidize.
Patina esteemed by stained glass artists, and provide more value for their ornamental projects. They are also highly regarded by coin collectors, often dramatically increase the value of the currency. This is especially important to remember when using patina to create stained glass projects.
Patina on Sun catchers are usually natural brass gray, black, Brown, bronze or bright.
You don't have to wait 2000 years for a beautiful patina will appear on the project's stained glass soldering joints.
Today you can purchase a patina gel or liquid form to create different shades of color.
Procedure for properly applying patina on the joints of the stained glass project is easy.
First, a thorough cleaning of the joints soldering or lead your project has been completed with steel wool 000 fine. Lead needs to be completely free of all oil cut, should appear very bright.
Next, apply patina gel or liquid joints with natural sponge or brush a little hair. The joints can be patina age until you reach the color shade that you want.
When you are satisfied with the point, thoroughly rinse extra with a patina of SOAP and water tender.
When the glass has dried thoroughly project, you can set the color of patina, protect it by rubbing a coat easy bee wax across episodes. This prevents any additional oxidation will stop unwanted color changes.
Using patina to create stained glass projects is a good idea, if you make several Sun catchers, tapestries, chimes or type of lamps, Tiffany from the same pattern.
With only a little time and effort you can completely change the appearance of the same projects and transform each one into a unique creation by changing the color of patina.
Tiffany-style lamps are often made from the same patterns, sold with dark brown patina.
Look and feel of a shade lamp brot dramatically by changing just shiny brass, patina bronze or dull black light.
Even if your glass projects are the same and made from the same type of glass, using patina to create stained glass projects allows you to mass produce template, yet your customers provide unique finished product.
All you need to create a stained glass projects is some basic tools and your own life. Working with stained glass projects is fun and easy. To get some useful tips, techniques and glass free visit http://www.suncatchers-corner.com/
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